Ikebana-street / Hongkong

I woke up thinking, “why not make a still life out of street photography?”

before I became seriously interested in still life, the camera was a constant companion on all kinds of trips

I loved shooting strange houses, streets, trees, and randomly catching urban characters in their natural habitat, and this passion left its mark in the form of gigabytes of archives, which you perceive in a completely different way from the current time point

as a story, as a chain of decisions, as a development, and sometimes you are amazed that an inexperienced gaze caught something that I can no longer do

purity, naivety and the beauty of an open world, undefiled by ideas about “how to do it”

in this project, I compared two cities: Asia and Europe, big and small, proximity to water and distance from it, a restrained landscape and a more relaxed, diverse one, two points of light that, most likely, no one had connected before, but for me they are in a logical series of places that have left an imprint inside

all the details covered by the scope are printed, cut out, and decomposed into urban ikebana