Inflorescence No 4

Inflorescence No. 4 plays with the language of floral arrangement to explore our increasingly artificial relationship with nature. What looks lush and organic is, on closer inspection, a digital fabrication—forms that mimic botanical life but never fully become it. The black background recalls scorched earth, holding space for ecological grief and uneasy beauty. There’s something personal here too. It echoes the decoupage I made as a child—cut flowers from my mother’s magazines pasted onto black-painted shoeboxes. That urge to arrange beauty from fragments remains, though the context has changed. This work sits in the tension between loss and adaptation, offering no answers—just the quiet persistence of something trying to grow.