Tulips, Reclining Figure

Between Sleep and Light constructs a compressed interior space where figures, flowers, reflections, and furniture dissolve into a shifting system of interlocking planes. Rather than organizing the painting around a single focal point, attention drifts across overlapping surfaces, graphic shapes, and unstable spatial relationships. Emotional tension emerges not through narrative, but through the friction between flatness and depth, intimacy and distance, presence and partial disappearance.